From hotel window, Houmt Souk, Tunisia, September 1987

I’ve already posted this picture and said I took it on my first ever morning outside Europe. And that now it makes me think about what’s wrong with the idea of “exotic”. This morning I remember that I had in my hotel room a slim volume of E. E. Cummings (thanks, Stephen). I liked the drawing of him on the cover and perhaps thought it would be quite good to look like that. I loved the poems.

I don’t remember seeing myself as some romantic Traveller, and I don’t think I even tried to write poetry on that holiday, only long postcards. But was there somewhere in the back of my mind a model of some Patrick Leigh Fermor-style young man that I was trying to emulate? Not that I’ve ever read him, but these memes infect you via unseen vectors. Maybe that’s how Jung’s collective unconscious works.

I also remember that on that holiday I also saw through the exotic: in a souk in Tunis, I remember thinking that this was as close as I could get, probably, to how I’d imagine a scene from the Arabian Nights, but it wasn’t magical, it was shabby, and I didn’t want to linger.


This is the moon reflected in the Niger river at Ségou in Mali, taken over the side of a pirogue ferry:


This is a streetlight reflected in a puddle in a pavement in Hackney:


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