As you can see, I was under the spell of Ansel Adams and the 35mm lens, equally. Maybe I liked this one because it looked like the kind of image they printed in how-to-do-photography books to train you to salivate at the sight of the enticing mysteries of mid-tones and the satisfying correctness of a full tonal range in black-and-white prints. As I write, I’m thinking about the typography of Ilford paper boxes, the sophisticated green of the Multigrade FB label, that took on some of that fetishistic desirability. I doubt I’ll ever aspire to know that much technical stuff about anything again. It’s a long time since I found the Apple logo remotely alluring.