At first I was predictably dismissive of Tracey Emin and walked around her 1999 Turner Prize show thinking “self-indulgent”, “hype” etc until I saw a video the Tate had made about her. Seeing and hearing her talk about the work made me realise two things: she meant it and it wasn’t easy. And made me reflect on how little I was personally at risk in what I did. So I thought about how I could be as frank and honest as her in my own way. The first fruit was a series of ten photographs – a roll of 6×7 – of myself, identically framed and posed. The rest, you’ll have to see for yourself, but I’m not putting them on the internet. Not now.